sE8 omni
Perfect twins for perfect soundFeaturing the very same, sophisticated capsule backplate design and true condenser technology, the sE8 omni provides an authentic and transparent sound quality second to none.
sE8 omni
PERFECT TWINS FOR PERFECT SOUNDFeaturing the very same, sophisticated capsule backplate design and true condenser technology, the sE8 omni provides an authentic and transparent sound quality second to none.
Acoustic guitar, choir, orchestral + strings, piano, woodwinds, drums, percussion, cymbals / OH
Inside the sE8 omni
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HAND-CRAFTED CAPSULE
As with all of sE’s true condensers, the sE8 omni’s ultra-thin gold-sputtered diaphragm delivers an impressive transient response that enables capturing even the smallest of nuances, and the ultra-precision electrode is optimized for superb linearity and natural sound, ensuring a consistently smooth and balanced frequency response. Building and tuning a capsule is a subtle, artistic process, and given the number of vibrations a capsule must handle, this is the most vital element of the mic.
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SOPHISTICATED CLASS-A ELECTRONIC DESIGN
Sophisticated electronic design and specially optimized Class-A electronics provide low noise without the use of integrated circuits. The transformerless design enables excellent transparency, clarity and a completely new electronic design ensures a beyond-the-norm dynamic range and excellent transient response without distortion.
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TWO SWITCHABLE PRE-ATTENUATION PADS & LOW-CUT FILTERS
The -10dB and -20dB switchable attenuation pad prevents overloading your preamp or mixer and provides extended dynamic range without compromises. Two switchable levels enable close-mic techniques for even the loudest sources like brass instruments, timpani and drums. Selectable at either 80Hz or 160Hz, these two filters help eliminate low-frequency rumble or footfall noise, as well as help compensate for excessive bass (proximity effect) with close-mic techniques.
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ALL-METAL HOUSING WITH GOLD-PLATED XLR CONNECTOR, PREMIUM FINISH & ACCESSORIES
Unlike the cheaply constructed bodies of some small-capsule microphones, the sE8 omni’s all-metal chassis provides efficient rejection of any electrical interference and noise – and the high-quality finish and gold-plated XLR connector ensures a great look and a loss-free, reliable signal connection for years to come. The sE8 omni also comes standard with a newly-designed mic clip that will securely attach it to any mic stand.
Inside the omni Matched Pair
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sE8 omni Matched Pair
As with all of our factory-matched pairs, every mic ending up in an sE8 omni Stereo Pair configuration is meticulously hand-selected after strict evaluation by trained ears and the latest analysis tools, with measurements taken in our anechoic chamber to ensure the highest possible mic-to-mic consistency. You can rest assured that your stereo image will be as clear & accurate as possible.
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What’s in the case?
The sE8 omni Matched Pair comes complete with two windscreens to avoid wind noise and two robust mic clips with thread adapters to fit with any mic stand. Moreover, a precision stereo bar and a robust, high-quality metal case is included.
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sE8 Cardioid Capsule (P)
sE8 cardioid pair owners have been able to simply buy an omni capsule pair and upgrade their pencil condensers as easily as that. But now, omni owners can have the same lifestyle and conveniences. With the sE8 Cardioid Capsule Pair, go from sE8 omni to cardioid to meet the needs of any session or live setting.
Specs
Downloads
How should I store my microphone?
We generally recommend keeping your microphone in its case or original packaging when it is not in use for more than a few hours. If your studio is very clean and safe, it could be OK to leave out on its mic stand when not in use, but if a mic is out of its case, it could potentially be exposed to dust, smoke, moisture, or humidity – which can damage the sensitive parts of the mic – so we recommend avoiding those things at all cost.
What are the differences between your microphones’ polar patterns? How do I choose the most suitable type of polar pattern for my recording environment?
There are no real “right” or “wrong” answers to this question, as different patterns will just provide different types of sounds, and whatever best suits your particular song is usually the right answer! With that said:
- Cardioid – Generally best for recording vocals or other single sources, when you don’t want to hear much of the room sound around the source.
- Omni – This is good when you want a less focused, more “roomy” sound. Think distant drum mics in a great-sounding room.
- Figure-8 – Since this pattern lets the mic “hear” on both sides – front and back – and reject the sounds on either side, it’s handy if you want to record two sources at once from a point in between them, without hearing what’s off to the sides.
- Hypercardioid / Supercardioid – More directional than Cardioid, this is good for spot mics, when you want the sound to be very focused.
My guitar amplifier / drum / horn is VERY loud, and I am concerned about the risk of damage due to loud noise.
For the most part, sE mics can tolerate extremely high SPLs (typically over 135dB) and will be fine in front of even the loudest sources – yes, even our ribbon mics. If in doubt, you can check the specifications on the individual product page.
Which sE mic is best for recording vocals / drums / guitars / etc.?
Check out our Find Your Mic page to find the perfect mic for your application.
How do I clean the microphone from spillage and dirt?
If your microphone has come in contact with dirt or another removable substance, we recommend cleaning it with a very soft, slightly damp cotton cloth. Do not open the microphone up to clean the inside, and make sure you NEVER touch the capsule itself. Cleaning a capsule should only be done by highly trained professionals in a “clean room” environment. If you suspect your capsule needs to be cleaned, please contact [email protected] so we can recommend an authorized local technician.