T1
Titanium makes the differenceMeet the T1, the latest addition to our renowned range of large-diaphragm true-condenser microphones. This cardioid-only version of the multi-pattern T2 comes with the same sleek design, ultra-fast transient response and warm, smooth sound, making it an ideal choice for a wide variety of applications such as piano, percussion instruments and bass cabinets.
T1
Titanium makes the differenceMeet the T1, the latest addition to our renowned range of large-diaphragm true-condenser microphones. This cardioid-only version of the multi-pattern T2 comes with the same sleek design, ultra-fast transient response and warm, smooth sound, making it an ideal choice for a wide variety of applications such as piano, percussion instruments and bass cabinets.
Drums, percussion, overheads, hi-hats, orchestral + strings, piano, bass guitar cab, acoustic guitar, electric guitar cab, vocals, woodwinds, brass
Inside the T1
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Pure and simple. No frills. Just great sound.
Classic sound meets modern craftsmanship in its simplest form; the T1 is a cardioid version of the renowned T2. With cardioid being the most common polar pattern utilized in both live and studio applications, the T1 prioritizes the features you really need, putting the smooth sound character of classic condensers in the palm of your hand.
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Handcrafted 1″ true-condenser capsule
Featuring the very same handcrafted twin 1“ titanium-sputtered brass capsule as the T2 – the T1 is a true workhorse that delivers incredible results on a wide array of sources. Titanium is 33% stiffer and more than 300% lighter than gold, resulting in a faster transient response, perfect for capturing sources that thrive on attack such as drums, cymbals, hand percussion, and upright bass just to name a few applications. The T1 is especially outstanding in live environments as a factory matched-pair for overheads or instrument spot mic applications.
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Dent-proof metal housing with premium finish
Hand-crafted with the highest attention to detail, built with a dent-proof die-cast all-metal housing, metal switches, a rugged spring steel wire mesh grille, and a premium finish. The T1 is roadworthy, ready to handle the day-to-day life of touring professionals and years of demanding studio use.
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SWITCHABLE PRE ATTENUATION PAD & LOW-CUT FILTER
With its integrated attenuation pad and low-cut filter, the T1 compensates for loud sources, easily taming excessive low-frequency rumble or proximity effect, providing the necessary extended dynamic range and roll-offs needed to dial in your sound at its source.
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AVAILABLE AS A MATCHED STEREO-PAIR
Each T1 Matched-Pair is rigorously tested, tuned in-house and sonically matched to ensure a virtually identical frequency response for balanced, consistent sound. Complete with a metal mic case, stereo bar, two shockmounts and two T1 microphones.
Inside the T1 Matched-Pair & Shockmount
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CUSTOM SHOCKMOUNT+ CHASSIS
The flat, round-edged chassis design and custom suspension mount allow the mic to be centered within the shock, used flat against a drum head or guitar cab, among many other use cases, and provides exceptional protection from low-end rumble and footfall noise.
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TUNED & SONICALLY MATCHED IN-HOUSE
Each T1 Matched Pair is rigorously tested, tuned in-house and sonically matched to ensure a virtually identical frequency response for balanced, consistent sound. Complete with a metal mic case, stereo bar, two shockmounts and two T1 microphones.
Specs
Downloads
How should I store my microphone?
We generally recommend keeping your microphone in its case or original packaging when it is not in use for more than a few hours. If your studio is very clean and safe, it could be OK to leave out on its mic stand when not in use, but if a mic is out of its case, it could potentially be exposed to dust, smoke, moisture, or humidity – which can damage the sensitive parts of the mic – so we recommend avoiding those things at all cost.
What are the differences between your microphones’ polar patterns? How do I choose the most suitable type of polar pattern for my recording environment?
There are no real “right” or “wrong” answers to this question, as different patterns will just provide different types of sounds, and whatever best suits your particular song is usually the right answer! With that said:
- Cardioid – Generally best for recording vocals or other single sources, when you don’t want to hear much of the room sound around the source.
- Omni – This is good when you want a less focused, more “roomy” sound. Think distant drum mics in a great-sounding room.
- Figure-8 – Since this pattern lets the mic “hear” on both sides – front and back – and reject the sounds on either side, it’s handy if you want to record two sources at once from a point in between them, without hearing what’s off to the sides.
- Hypercardioid / Supercardioid – More directional than Cardioid, this is good for spot mics, when you want the sound to be very focused.
My guitar amplifier / drum / horn is VERY loud, and I am concerned about the risk of damage due to loud noise.
For the most part, sE mics can tolerate extremely high SPLs (typically over 135dB) and will be fine in front of even the loudest sources – yes, even our ribbon mics. If in doubt, you can check the specifications on the individual product page.
Which sE mic is best for recording vocals / drums / guitars / etc.?
Check out our Find Your Mic page to find the perfect mic for your application.
How do I clean the microphone from spillage and dirt?
If your microphone has come in contact with dirt or another removable substance, we recommend cleaning it with a very soft, slightly damp cotton cloth. Do not open the microphone up to clean the inside, and make sure you NEVER touch the capsule itself. Cleaning a capsule should only be done by highly trained professionals in a “clean room” environment. If you suspect your capsule needs to be cleaned, please contact [email protected] so we can recommend an authorized local technician.