A high-performance wireless version of our V7 supercardioid dynamic vocal mic, specially designed for your Sennheiser® handheld transmitter.
Brings the powerful sound and performance of the V7 to Sennheiser® wireless transmitters
Captures your voice in the most natural way you've ever heard on stage
All-metal beveled spring grille
Specialized supercardioid aluminum voice coil
Patented integrated shockmount
Switchable internal windscreen
Available in two color combinations
Inside the MC2
INNOVATIVE, SPECIALIZED ALUMINUM VOICE COIL
The DMC7 dynamic capsule in the V7 MC2 has been custom-developed for a crisp, open sound that perfectly captures your voice in the most natural way you’ve ever heard on stage – and its sophisticated supercardioid capsule design helps isolate your voice from other instruments, ensuring vast amounts of gain before feedback.
PATENTED INTEGRATED SHOCK MOUNT
The V7 MC2’s innovative, patented shockmount efficiently decouples the capsule from mechanical vibration, providing exceptionally low handling noise as compared to other capsules in its class. This means you can feel free to move around on stage without fear of rumbles, pops, or anything other than your voice coming through.
ALL-METAL HOUSING & BEVELED SPRING STEEL GRILLE
The V7 MC2’s road-ready design is all metal. The chassis’ high quality, highly durable zinc alloy is designed to withhold the wear & tear of day to day tour life for years and its beveled edge around the grille prevents your mic from rolling when you put it down – so simple, so effective.
INTERNAL WINDSCREEN & GOLD-PLATED CONTACTS
Efficiently reduces unwanted wind noise and plosive pops….and in the unlikely case you should not appreciate our stylish “sE Red” color, we’ve included a spare black internal windscreen in the box for you. The V7 MC2’s gold-plated contacts ensure a loss-free and reliable signal connection for years to come.
AVAILABLE IN TWO COLOR COMBINATIONS
The V7 MC2 Standard and the V7 MC2 BLACK to complement Sennheiser® transmitters. Both versions include red & black internal windscreens for additional customization.
Inside the Mic Grille
BEVELED SPRING STEEL GRILLE
The beveled edge around the grille is made to prevent your mic from rolling when you put it down on top of your amp or the stage floor – so simple, yet so effective. The V7’s spring steel mesh grille is dent-proof and corrosion-free for perfect reliability.
SWITCHABLE INTERNAL WINDSCREEN
Efficiently reduces unwanted wind noise and plosive pops….and just in case you don’t like our stylish “sE Red” color, we’ve included a spare black windscreen in the box for you.
Electrical impedance300 Ohms
ConnectivityCompatible with Sennheiser® wireless systems
Frequency range40 Hz - 19 kHz
Sensitivity2.0 mV / Pa (-54 dBV)
Mic54 mm (2.13 in.)
Mic length87 mm (3.43 in.)
Mic weight116 g (4.09 oz.)
What's in the box
sE logo sticker
User manual with warranty card
Spare black internal screen
The V7 MC2 requires a Sennheiser® handheld transmitter for operation. Please refer to the chart below for color compatibility recommendations.
There are no real “right” or “wrong” answers to this question, as different patterns will just provide different types of sounds, and whatever best suits your particular song is usually the right answer! With that said:
Cardioid – Generally best for recording vocals or other single sources, when you don’t want to hear much of the room sound around the source.
Omni – This is good when you want a less focused, more “roomy” sound. Think distant drum mics in a great-sounding room.
Figure-8 – Since this pattern lets the mic “hear” on both sides – front and back – and reject the sounds on either side, it’s handy if you want to record two sources at once from a point in between them, without hearing what’s off to the sides.
Hypercardioid / Supercardioid – More directional than Cardioid, this is good for spot mics, when you want the sound to be very focused.
We generally recommend keeping your microphone in its case or original packaging when it is not in use for more than a few hours. If your studio is very clean and safe, it could be OK to leave out on its mic stand when not in use, but if a mic is out of its case, it could potentially be exposed to dust, smoke, moisture, or humidity – which can damage the sensitive parts of the mic – so we recommend avoiding those things at all cost.
If your microphone has come in contact with dirt or another removable substance, we recommend cleaning it with a very soft, slightly damp cotton cloth. Do not open the microphone up to clean the inside, and make sure you NEVER touch the capsule itself. Cleaning a capsule should only be done by highly trained professionals in a “clean room” environment. If you suspect your capsule needs to be cleaned, please contact [email protected] so we can recommend an authorized local technician.
For the most part, sE mics can tolerate extremely high SPLs (typically over 135dB) and will be fine in front of even the loudest sources – yes, even our ribbon mics. If in doubt, you can check the specifications on the individual product page.
You’ll need some sort of audio interface to do this – essentially, a box that converts an analog signal into a digital one, and sends the digital signal to your computer software in a way that your computer can understand. Some audio interfaces also include microphone preamplifiers, which raise the signal level from “mic level” to “line level” – if you are using an interface with no built-in preamp, you’ll need to plug the mic into a separate mic preamp first.
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Musicians and audiophiles all over the world turn to sE to get the sound they want, the way they want it. What’s your go-to gear?