For over two decades, Trivium have quietly raised the bar for heavy music by conjuring a near-magic balance between towering melodic metal infectiousness, extreme metal unpredictability, black metal scope, and a kick of rock ‘n’ roll spirit.
< all artistsFor over two decades, Trivium have quietly raised the bar for heavy music by conjuring a near-magic balance between towering melodic metal infectiousness, extreme metal unpredictability, black metal scope, and a kick of rock ‘n’ roll spirit.
< all artistsAfter forming in 1999, Trivium crafted a classic in the form of Ascendancy. It concluded 2005 as KERRANG!’s “Album of the Year,” went gold in the UK, and has since surpassed global sales of 500,000 copies. One of many standouts from 2017’s The Sin and The Sentence, the single “Betrayer” garnered a GRAMMY® Award nod in the category of “Best Metal Performance.” The quartet reached new heights on 2020’s What The Dead Men Say, appearing everywhere from The New York Times, NPR, Forbes, Billboard, Tech Crunch, Revolver and Alternative Press.
Following 22 years, over 1 million units moved, hundreds of sold-out shows, and half-a-billion streams, the GRAMMY® Award-nominated Florida quartet—Matt Heavy [vocals, guitar], Corey Beaulieu [guitar], Paolo Gregoletto [bass], and Alex Bent [drums]—deliver a definitive statement cast in ironclad guitar fireworks, pummeling rhythms, lyrical provocations, and stadium-shaking choruses on their 10th full-length offering, In The Court of the Dragon [Roadrunner Records]. It springs from the past, seizes the present, and hints at the future of Trivium—and metal—all at once.
They are the rare band who can incinerate a stage alongside Metallica and Iron Maiden and hold a captive audience of tens of thousands on a Twitch stream.
