sE2300
The versatile classic from sEThe sE2300 is the latest multi-pattern version of the award-winning 2200 condenser microphone that put sE Electronics on the map many years ago with its smooth, polished sound for vocals, voiceovers, and numerous instrumental applications. The cardioid version grew famous through use with world-class vocal artists like Amy Winehouse, and this multi-pattern version only increases its versatility, enhancing its usefulness for any instrument and reviving the spirit of the world’s most classic studio microphones.
sE2300
The versatile classic from sEThe sE2300 is the latest multi-pattern version of the award-winning 2200 condenser microphone that put sE Electronics on the map many years ago with its smooth, polished sound for vocals, voiceovers, and numerous instrumental applications. The cardioid version grew famous through use with world-class vocal artists like Amy Winehouse, and this multi-pattern version only increases its versatility, enhancing its usefulness for any instrument and reviving the spirit of the world’s most classic studio microphones.
Recording studio, home studio, Vocals, Acoustic, Guitar, Electric Guitar Cab,
Orchestral + Strings, Piano, Woodwinds, Brass
Inside the sE2300
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HAND-CRAFTED 1″ TRUE CONDENSER CAPSULE
Built like the world’s finest musical instruments, every capsule is hand-crafted and individually tuned in our very own factory in Shanghai – and unlike other microphones with backplate or electret designs, the sE2300 features a true externally polarized capsule, and therefore delivers the best possible performance in every aspect.
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TWO SWITCHABLE ATTENUATION LEVELS & LOW-CUT FILTERS
Selectable at either 80Hz or 160Hz, the two low-cut filters help eliminate low-frequency rumble and proximity effect in close-mic techniques with -10 dB and -20 dB pad switches provide extended dynamic range, enabling a wide variety of applications…think super-heavy electric guitars, fortissimo brass instruments, and heavy-footed kick drums.
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TRADITIONAL CLASS-A ELECTRONIC DESIGN
Its carefully selected, discrete components ensure brilliant sound quality on any source. The sE2300’s design still avoids using any ICs (integrated circuits) and is built to excel – not to a standard. State-of-the-art surface-mounted electronic components provide low noise, consistent performance and high sensitivity with extremely tight tolerances.
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CUSTOM-BUILT OUTPUT TRANSFORMER WITH GOLD-PLATED XLR CONNECTOR
Reviving the spirit of classic studio microphones, the sE2300’s custom transformer provides superb depth & weight to the overall sonic image, and the massively shielded metal housing ensures noise-free operation and loss-free, reliable signal connection for years and years of demanding use in the studio and on stage.
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ALL-METAL SHIELDED HOUSING WITH A PREMIUM FINISH
Unlike the cheaply constructed bodies of some other affordable microphones, the sE2300’s all-metal chassis provides efficient rejection of any electrical interference and noise – and the high-quality finish ensures a great look for years to come.
Inside the Iso Pack
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QUICK-RELEASE SHOCKMOUNT
The integrated quick-release mechanism at the base of the shockmount makes it easy to insert or remove a mic. No screws, no hassle, just one twist to secure or release.
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All-METAL ADJUSTABLE POP FILTER
Made from metal (rather than delicate fabric), the pop filter can be vertically positioned to accommodate any mic or completely removed from the shockmount if desired.
Specs
Downloads
How should I store my microphone?
We generally recommend keeping your microphone in its case or original packaging when it is not in use for more than a few hours. If your studio is very clean and safe, it could be OK to leave out on its mic stand when not in use, but if a mic is out of its case, it could potentially be exposed to dust, smoke, moisture, or humidity – which can damage the sensitive parts of the mic – so we recommend avoiding those things at all cost.
What are the differences between your microphones’ polar patterns? How do I choose the most suitable type of polar pattern for my recording environment?
There are no real “right” or “wrong” answers to this question, as different patterns will just provide different types of sounds, and whatever best suits your particular song is usually the right answer! With that said:
- Cardioid – Generally best for recording vocals or other single sources, when you don’t want to hear much of the room sound around the source.
- Omni – This is good when you want a less focused, more “roomy” sound. Think distant drum mics in a great-sounding room.
- Figure-8 – Since this pattern lets the mic “hear” on both sides – front and back – and reject the sounds on either side, it’s handy if you want to record two sources at once from a point in between them, without hearing what’s off to the sides.
- Hypercardioid / Supercardioid – More directional than Cardioid, this is good for spot mics, when you want the sound to be very focused.
My guitar amplifier / drum / horn is VERY loud, and I am concerned about the risk of damage due to loud noise.
For the most part, sE mics can tolerate extremely high SPLs (typically over 135dB) and will be fine in front of even the loudest sources – yes, even our ribbon mics. If in doubt, you can check the specifications on the individual product page.
Which sE mic is best for recording vocals / drums / guitars / etc.?
Check out our Find Your Mic page to find the perfect mic for your application.
How do I clean the microphone from spillage and dirt?
If your microphone has come in contact with dirt or another removable substance, we recommend cleaning it with a very soft, slightly damp cotton cloth. Do not open the microphone up to clean the inside, and make sure you NEVER touch the capsule itself. Cleaning a capsule should only be done by highly trained professionals in a “clean room” environment. If you suspect your capsule needs to be cleaned, please contact [email protected] so we can recommend an authorized local technician.